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| Otto Penzler's new collection. |
In November I spoke on the panel “Murder in a Locked Room: Solving the ‘Perfect’ Crime” at Bouchercon, the world mystery convention. I wrote up a recap of the whole convention here, and I'm revisiting the panel in greater detail today because I've been on a locked room mystery kick.
Two things have renewed my interest:
- Otto Penzler's new collection of locked room stories, The Black Lizard Big Book of Locked-Room Mysteries. 960 pages and 68 stories! As I write this, I'm about halfway through it. I've encountered many of the stories before, but there are many that are new to me.
- French author Paul Halter, who is being hailed as the new John Dickson Carr—and for good reason. His plots are every bit as ingenious, and he uses supernatural overtones to great effect. Halter's books are being translated into English by John Pugmire and Locked Room International.
“Murder in a Locked Room: Solving the ‘Perfect’ Crime”
I'm a huge fan of
locked room mysteries, so I was thrilled to be selected for the panel along with
Jeffery Deaver, Janet Dawson, Laurie King, Marvin Lachman, and Bill Gottfried
moderating. I wasn’t sure how many people would attend a panel on a mystery
sub-genre most popular during the Golden Age of detective fiction, so it was
heartening to see well over 100 people of all ages in attendance.
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| Murder in a Locked room panelists (left to
right): Marvin Lachman, Janet Dawson, Bill Gottfried, Gigi Pandian, Jeffery Deaver, Laurie King |
Marv
Lachman kicked off the discussion with a definition of locked room mysteries.
The classic example is a murder victim found in a room sealed from the inside,
with no way for a murderer to have escaped. But the term “locked room” is used
more broadly for any “impossible crime” situation, such as an outdoor murder in
a remote area with only the victim’s footprints in the snow.
Jeffery
Deaver mentioned John Dickson Carr’s famous “locked room lecture,” a treatise
inside his novel The Three Coffins
that explains the overarching methods in which an impossible crime could indeed
be possible. The specific methods used to carry out these theoretical ideas are
endless, and therefore reading the lecture doesn’t ruin the solution of The Three Coffins or any other book.
Why
are locked room mysteries so appealing?
We all agreed that they provide the ultimate puzzle. Not only is the reader baffled by who committed the crime and why, but also how. There’s a promise to the reader that there will be a satisfying resolution at the end of the book.
We all agreed that they provide the ultimate puzzle. Not only is the reader baffled by who committed the crime and why, but also how. There’s a promise to the reader that there will be a satisfying resolution at the end of the book.
A
secondary feature of many locked room mysteries is the Gothic, ghostly
atmosphere that dominates the investigation—because if a crime is impossible,
then surely it can only have a supernatural explanation. But that’s the trick
of a good locked room mystery: like a good magic trick, what seems supernatural
is in reality a clever illusion.
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| My John Dickson Carr bookshelf. |
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| Clayton Rawson's novels featuring The Great Merlini. |
Janet
Dawson mentioned Agatha Christie as an author who is primarily thought of as
the queen of puzzle plots more generally, though several of her books feature
locked room mysteries. And Laurie King brought up Edgar Allan Poe’s “The
Murders in the Rue Morgue” as one of the stories credited with creating the
sub-genre.
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| Daniel Stashower, best known for non-fiction, also writes the Harry Houdini Mysteries. |
Many
present-day writers are carrying the tradition forward. Authors include Paul
Halter, a French author with several novels translated into English by John Pugmire;
Daniel Stashower, who writes the Harry Houdini mysteries; the prolific Bill
Pronzini, who writes the Nameless detective series; and panelist Jeffery
Deaver, who wrote an impossible-crime magician thriller for his fifth Lincoln
Rhyme novel, The Vanished Man. There
are also many modern Japanese authors writing in the genre. Many, but not all,
have been translated into English—as our moderator Bill Gottfried learned when
he accidentally ordered a Japanese locked room mystery printed in Japanese!
As
for me, I haven’t yet pulled off writing a full-length locked room novel, but I
love writing locked room mystery short stories. When I started writing my Jaya
Jones Treasure Hunt Mystery Series, I created a small sidekick character who
was a stage magician: Sanjay Rai, who performs under the moniker The Hindi
Houdini. But Sanjay refused to remain a sidekick, so I’ve written several
locked room short stories with him as the hero, beginning with “The Hindi
Houdini” (that was the story short-listed for Agatha and Macavity awards).
For a handout at the Bouchercon panel,
we compiled some of our favorite locked room novels, stories, anthologies, and
reference guides. Here’s a portion of the list we gave out:
A
“starter guide” to Locked Room Mysteries: Novel Recommendations from the
Panelists
Note
this is NOT an exhaustive list, but rather a few favorite novels from the
panelists.
The handout given to attendees also included additional reference
guides, anthologies, and short stories.
- Edmund Crispin THE MOVING TOYSHOP
- John Dickson Carr THE BURNING COURT
- John Dickson Carr THE CROOKED HINGE
- John Dickson Carr THE THREE COFFINS, aka HOLLOW MAN (includes Carr’s famous “locked room lecture”)
- Carter Dickson THE JUDAS WINDOW
- Carter Dickson A GRAVEYARD TO LET
- Arthur Conan Doyle THE SIGN OF FOUR
- Paul Halter, THE INVISIBLE CIRCLE
- Keigo Higashino MALICE
- Gaston Leroux THE MYSTERY OF THE YELLOW ROOM
- Ellery Queen THE CHINESE ORANGE MYSTERY
- Ellery Queen THE DOOR BETWEEN
- Clayton Rawson DEATH FROM A TOP HAT
- Daniel Stashower DIME MUSEUM MURDERS
